Fragments de ténèbres (SF / Fantastique)
The Review of Horror, Fantasy & Science Fiction Films
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Par Gustave Glotz avec la collaboration de Robert Cohen. Le Mors aux dents. Oblivious to all this, Bruno only later notices the missing knife and a blood-encrusted gash in the bathroom that fits its blade perfectly. This prompts another exploration of the house and the recording of a message in which Bruno summarises the facts of the case thus far, plus his fears that he may be cracking up or targeted as the next victim….
Sandra shows up and suggests the killer likely would not have had the time to remove the bodies. This is an engaging and well-crafted murder mystery. In particular the narrative is rather too extended and rather too episodic: Just how many times does Bruno go exploring only to be distracted at an in opportune moment? The murder scenes are also too neatly timed to coincide with what would have been the ends of parts one, two and three, and these scenes are followed, again somewhat obviously, by recapitulations of the story at the points corresponding to the starts of parts two, three and four.
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The elegant camera movements as he explores the environments of the house, all surfaces, textures and minute details, are very much in the manner of his mentor Dario Argento — giallo fans will recognise the villa from Tenebre , where it also served as the haunt of a killer — albeit here without quite the same extravangance and ambition. Budgetary and other constraints obviously precluded Louma crane experimentation, for instance.
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Though derivative of Goblin, it gains a certain justification in these self-same terms as being exactly what an early s Italian horror film ought to sound like; again Tenebre provides an obvious point of reference and comparison. One of the major pleasures of the film for the fan of Italian horror — i. Again, something similar could be said the similarly self-referential Tenebre.
But there is also a key difference. Argento seems to have wanted it to function as the ultimate giallo circa , the last definitive word on 20 years of genre production.
Arthur B. Evans- The Fantastic Science Fiction of Maurice Renard
That one can do so is a plus, but ultimately less important. Directed by Lamberto Bava. Written by Elisa Briganti, Dardano Sacchetti. Cast: Andrea Occipinti a. Skip to content. This prompts another exploration of the house and the recording of a message in which Bruno summarises the facts of the case thus far, plus his fears that he may be cracking up or targeted as the next victim… Sandra shows up and suggests the killer likely would not have had the time to remove the bodies.
About Keith Brown Hailing from Edinburgh, Midlothian, in the United Kingdom, I'm a PhD student and self-employed computer guy who likes films, especially those that are a bit off the beaten track. My blog Giallo Fever is dedicated to "Taking Eurotrash seriously - but not too seriously.